We’re experts in matching permanent and temporary Director of Photography’s to the companies that need them most, ensuring you get the most suitable and experienced people for the job.

Hire a Director of Photography and other specialist roles such as Physical Therapist, Brand Manager, Columnist, CHRO—Chief Human Resources Officer, with Outstaff. We source the most talented Director of Photography’s and match them to you. Whether they’re filling in for a sudden vacancy, helping out with seasonal work or filling a space while you recruit a more long-term member of staff, we can find you temporary or permanent team members to make things easier. However long or short the vacancy you have to fill, we can see that you get the right person for the job in the fastest time possible.

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It’s easy to get disheartened if you’re struggling to find Director of Photography jobs. Getting a job as a Director of Photography can seem a long slog, and no more so than during a recession and a pandemic. Not everyone will find the process quick or straightforward, and there may be an element of luck to it all. There’s some truth in the old saying that getting a job is about being in the right place at the right time. Don’t give up – plenty of employers are still recruiting, and this is where Outstaff can help!

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How to hire a Director of Photography?

A cinematographer or director of photography (sometimes shortened to DP or DOP) is the chief over the camera and light crews working on a film, television production or other live action piece and is responsible for making artistic and technical decisions related to the image. The study and practice of this field is referred to as cinematography.

The cinematographer selects the camera, film stock, lenses, filters, etc., to realize the scene in accordance with the intentions of the director. Relations between the cinematographer and director vary; in some instances, the director will allow the cinematographer complete independence; in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is not common once the director and cinematographer have become comfortable with each other; the director will typically convey to the cinematographer what is wanted from a scene visually and allow the cinematographer latitude in achieving that effect.

Several American cinematographers have become directors, including Reed Morano who lensed Frozen River and Beyonce’s Lemonade before winning an Emmy for directing The Handmaid’s Tale. Barry Sonnenfeld, originally the Coen brothers’ DP; Jan de Bont, cinematographer on films such as Die Hard and Basic Instinct, directed Speed and Twister. Nicolas Roeg, cinematographer on films such as The Caretaker (1963) and The Masque of the Red Death (1964), directed Don’t Look Now (1973) and The Man Who Fell to Earth (1976). Ellen Kuras, ASC photographed Eternal Sunshine of The Spotless Mind as well as a number of Spike Lee films such as Summer of Sam and He Got Game before directing episodes of Legion and Ozark. In 2014, Wally Pfister, cinematographer on Christopher Nolan’s three Batman films, made his directorial debut with Transcendence; whilst British cinematographers Jack Cardiff and Freddie Francis regularly moved between the two positions.

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